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The poster - inexpensive, colorful, and immediate - was an ideal medium for delivering messages about Americans' duties on the home front during World War II. Design for Victory presents more than 150 of these stunning images - many never reproduced since their first issue - culled from the collections of the National Museum of American History, Smithsonian Institution. William L. Bird, Jr. and Harry R. Rubenstein delve beneath the surface of these colorful graphics, telling the stories behind their production and revealing how posters fulfilled the goals and needs of their creators. The authors describe the history of how specific posters were conceived and received, focusing on the workings of the wartime advertising profession and demonstrating how posters often reflected uneasy relations between labor and management.
The poster - inexpensive, colorful, and immediate - was an ideal medium for delivering messages about Americans' duties on the home front during World War II. D
The best of the Imperial War Museum’s collection of more than 30,000 British wartime proclamations, all from the First and Second World Wars. “Eat Less Brea
Essays by Jay Winter, Jeffrey T. Schnapp, Jennifer D. Keene, and others reveal the centrality of visual media, particularly the poster, within the specific nati
The production, recruiting and War Bond posters of World War II were America's "weapons on the wall." Millions of posters of hundreds of unique designs cascaded
A collection 110 posters, many created by well-known artists and photographers, looks back on life during World War II and features such famous posters as the "
