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Insolent and defiant, the Chants de Maldoror, by the self-styled Comte de Lautréamont (1846-70), depicts a sinister and sadistic world of unrestrained savagery and brutality. One of the earliest and most astonishing examples of surrealist writing, it follows the experiences of Maldoror, a master of disguises pursued by the police as the incarnation of evil, as he makes his way through a nightmarish realm of angels and gravediggers, hermaphrodites and prostitutes, lunatics and strange children. Delirious, erotic, blasphemous and grandiose by turns, this hallucinatory novel captured the imagination of artists and writers as diverse as Modigliani, Verlaine, André Gide and André Breton; it was hailed by the twentieth-century Surrealist movement as a formative and revelatory masterpiece.
Insolent and defiant, the Chants de Maldoror, by the self-styled Comte de Lautréamont (1846-70), depicts a sinister and sadistic world of unrestrained savagery
Andre Breton wrote that MALDOROR is the expression of a revelation so complete it seems to exceed human potential.' First published in 1869, MALDOROR is the wor
One of the earliest and most astonishing examples of surrealist writing Insolent and defiant, the Chants de Maldoror, by the self-styled Comte de Lautréamont (
'Les Chants de Maldoror' was virtually ignored when first published in 1869, a year before the author's death in Paris in 1870. Decades later the Surrealists di
In John Ashbery’s haunting 1992 collection, just as in the traveler’s experience of a hotel, we recognize everything, and yet nothing is familiar—not even
