Fear Of Music Why People Get Rothko But Dont Get Stockhausen
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This book examines the parallel histories of modern art and modern music and examines why one is embraced and understood and the other ignored, derided or regarded with bewilderment, as noisy, random nonsense perpetrated by, and listened to by the inexplicably crazed. It draws on interviews and often highly amusing anecdotal evidence in order to find answers to the question: Why do people get Rothko and not Stockhausen?
This book examines the parallel histories of modern art and modern music and examines why one is embraced and understood and the other ignored, derided or regar
Modern art is a mass phenomenon. Conceptual artists like Damien Hirst enjoy celebrity status. Works by 20th century abstract artists like Mark Rothko are sellin
Electronic music is now ubiquitous, from mainstream pop hits to the furthest reaches of the avant garde. But how did we get here? In Mars by 1980, David Stubbs
This volume brings together practitioners and theorists of music and sonic art. Contributions explore a wide range of historical, artistic, pedagogical and crit
Towards a Twenty-First-Century Feminist Politics of Music opens up a new way of thinking about the absence of women's music. It does not aim to find 'a solution