Fill Your Oil Paintings with Light & Color

Fill Your Oil Paintings with Light & Color
Author: Kevin Macpherson
Publisher: National Geographic Books
Total Pages: 0
Release: 2000-03-01
Genre: Art
ISBN: 1581800533


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These pages practically glow with Kevin Macpherson's rich and powerful paintings! He shares his techniques for quickly capturing the mood of a scene in bold, direct brushstrokes, with step-by-step instructions that make it easy—simply a matter of painting the colors you see. Follow his lead and you too, can create landscapes and still lives in a vibrant, impressionistic style.

Fill Your Oil Paintings with Light & Color
Language: en
Pages: 0
Authors: Kevin Macpherson
Categories: Art
Type: BOOK - Published: 2000-03-01 - Publisher: National Geographic Books

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These pages practically glow with Kevin Macpherson's rich and powerful paintings! He shares his techniques for quickly capturing the mood of a scene in bold, di
Landscape Painting Inside and Out
Language: en
Pages: 176
Authors: Kevin Macpherson
Categories: Art
Type: BOOK - Published: 2006-10-06 - Publisher: Penguin

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Paint with passion, purpose and pleasure What do you want your landscape painting to say about this place, this moment? How do you use the visual vocabulary - l
Mastering Oil Painting
Language: en
Pages: 66
Authors: James Sulkowski
Categories: Art
Type: BOOK - Published: 2013-09-15 - Publisher: Walter Foster

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With its combination of valuable tips, techniques, and engaging step-by-step painting lessons, Mastering Oil Painting is an ideal resource for aspiring artists
Conversations with Nature
Language: en
Pages: 202
Authors: Kevin Macpherson
Categories:
Type: BOOK - Published: 2018-03 - Publisher:

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Conversations with Nature is designed to be an illuminating guide to a classic medium and the most popular, universal subject: landscape painting. Most importan
A Light Touch
Language: en
Pages: 0
Authors: David Curtis
Categories: Landscape painting
Type: BOOK - Published: 1997 - Publisher:

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An outline of Curtis's approach to painting landscapes. He stresses the need to work "plein air", with little studio work, and discusses techniques and material