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Melodrama: Genre, Style and Sensibility is designed as an accessible overview of the, often complex, debates that emerge out of the connections between melodrama and cinema. The book identifies three distinct but connected concepts through which it is possible to make sense of melodrama; either as a genre, originating in European theatre of the 18th and 19th century, as a specific cinematic style, epitomised by the work of Douglas Sirk or as a sensibility that emerges in the context of specific texts, speaking to and reflecting the desires, concerns and anxieties of audiences. Each chapter includes overviews of key essays, analyses of significant and widely studied films and includes an annotated reading list
Melodrama: Genre, Style and Sensibility is designed as an accessible overview of the, often complex, debates that emerge out of the connections between melodram
Offering a new queer theorization of melodrama, Jonathan Goldberg explores the ways melodramatic film and literature provide an aesthetics of impossibility. Foc
Douglas Sirk (Claus Detler Sierck) was born in Hamburg, Germany, in 1900. He made nine films before fleeing Nazi Germany, eventually coming to America. His best
Histories of science fiction often dicuss Fritz Lang's Metropolis as a classic work within the genre--yet the term "science fiction" had not been invented at th
Martin Shingler presents the mother volume for Palgrave's Film Stars series in three easily-navigable chapters in which he provides a summative and instructive
