Sorting Facts Or Nineteen Ways Of Looking At Marker
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Critics and writers consider nonfiction film both as document and as creative work with strong artistic, political, and moral implications. In essays by eleven
"Poetry and cinema collide in Susan Howe's masterful meditation on the filmmaker Chris Marker, whose film stills are interspersed throughout, as well as those o
Examining European art films of the 1950s and 1960s, Mark Betz argues that it istime for film analysis to move beyond prevailing New Wave historiography, mired
Winner of the Griffin International Poetry Prize A collection in five parts, Susan Howe’s electrifying new book opens with a preface by the poet that lays out