Theories of the Theatre

Theories of the Theatre
Author: Marvin A. Carlson
Publisher: Cornell University Press
Total Pages: 564
Release: 1993
Genre: Literary Criticism
ISBN: 9780801481543


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Beginning with Aristotle and the Greeks and ending with semiotics and post-structuralism, Theories of the Theatre is the first comprehensive survey of Western dramatic theory. In this expanded edition the author has updated the book and added a new concluding chapter that focuses on theoretical developments since 1980, emphasizing the impact of feminist theory.

Theories of the Theatre
Language: en
Pages: 544
Authors: Marvin A. Carlson
Categories: Literary Criticism
Type: BOOK - Published: 1984 - Publisher: Ithaca : Cornell University Press

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**** Expanded edition of the work originally published by Cornell U. Press in 1984 and endorsed by BCL3. Annotation copyright by Book News, Inc., Portland, OR
Theories of the Theatre
Language: en
Pages: 564
Authors: Marvin A. Carlson
Categories: Literary Criticism
Type: BOOK - Published: 1993 - Publisher: Cornell University Press

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Beginning with Aristotle and the Greeks and ending with semiotics and post-structuralism, Theories of the Theatre is the first comprehensive survey of Western d
World Theories of Theatre
Language: en
Pages: 474
Authors: Glenn A. Odom
Categories: Performing Arts
Type: BOOK - Published: 2017-06-26 - Publisher: Routledge

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World Theories of Theatre expands the horizons of theatrical theory beyond the West, providing the tools essential for a truly global approach to theatre. Ident
Theory/Theatre
Language: en
Pages: 273
Authors: Mark Fortier
Categories: Drama
Type: BOOK - Published: 2005-07-08 - Publisher: Routledge

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This is a new and enlarged edition of Mark Fortier's very successful and widely used essential text for students. Theory/Theatre provides a unique and engaging
The Roots of Theatre
Language: en
Pages: 385
Authors: Eli Rozik
Categories: Performing Arts
Type: BOOK - Published: 2005-04 - Publisher: University of Iowa Press

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The topic of the origins of theatre is one of the most controversial in theatre studies, with a long history of heated discussions and strongly held positions.